This project presents a unique collaboration between photographer Richard Misrach and composer and performer Guillermo Galindo. Misrach has been photographing the twothousand- mile border between the U.S. and Mexico since 2004, with increased focus since 2009¬óthe latest installation in his ongoing series Desert Cantos, a multi-faceted approach to the study of place and man¬ís complex relationship to it. Misrach and Galindo have been working together to create pieces that both document and transform the artifacts of migration. Using water bottles, clothing, backpacks, Border Patrol ¬ìdrag tires,¬î spent shotgun shells, ladders, and sections of the border wall itself, most of which were collected by Misrach, Galindo fashions instruments to be performed as unique sound-generating devices. He also imagines graphic musical scores, many of which also use Misrach¬ís photographs as points of departure. A unique melding of the artist as documentarian and interpreter, the book will include several suites of photographs drawn from a number of distinct series, or Cantos¬ósome made with a large-format camera as well as an iPhone. The book will also contain a compilation of two dozen sculpture-instruments, graphic scores, instrument designs, and links to videos of performances by Galindo on the image-inspired instruments.